Choreography

Year Company, Institute, University Title Music
2010 Company Z Dance Lethe-wards Stravinsky
2009 New Zealand Opera Eugene Onegin P.Tchaikovsky
2008 Company Z Dance Fetish Effigies J.Gardner
Company Z Dance Snapdragon M.Young
2007 Company Z Dance Songs for Drella John Cale/
Lou Reed
Company Z Dance Lilburn Variations D.Lilburn
2006 Company Z Dance Juliet's Code D.Lilburn/
KODO
Company Z Dance Peter and the Wolf S.Prokovief
Company Z Dance Mass Selection
2005 Company Z Dance Blue Tango P.Conte
City Ballet
Auckland
Fragments John Psathas
2004 Alisun annual Presentation
Bruce Mason Centre, Auckland
Arabesque Debussy
2000 Victorian College of the Arts,
Melbourne University, Australia
Gravitations Fitkin/
M.Nyman
Direct Current Dance Collective
Canberra, Australia
Kroof Fitkin/
M.Nyman
Opera Australia
Sydney Opera House
- Millennium Programme Capriccio
Capriccio R.Strauss
1999 West Australian Academy of Performing Arts,
Edith Cowan University
The Cone Gatherers Fitkin
1998 Alte Oper,
Frankfurt Festkonzert
Choreographische Action Reich
1995 Company Z
Auckland
Slow Fever Lee/
Fitkin
Singapore Dance Theatre Passages Shankar/
Glass
Opera Australia
Sydney Opera House
Aida Verdi
1994 Company Z
Auckland
No Limits Prokoviev/
Surman/
Shimizu
Melbourne Dance Theatre Bedruthan Steps Suman
West Australian Academy of Performing Arts,
Edith Cowan University
Boutique Joy Shimizu
1992 Singapore Dance Theatre Zorr-Benium Function Hassel
Singapore Dance Theatre Melodious Accents Sakamoto
The Australian Ballet Company Symphonic Poem Suk
1991 Singapore Dance Theatre The Breath of Time Sirocco
The Royal New Zealand Ballet Les Galanteries Bach
The Victorian State Opera Tannhauser Wagner
1990 The Australian Ballet Company My name is Edward Kelly Sculthorpe
1988 The Australian Ballet School Mr Clay Poulenc
Singapore Dance Theatre Rainbow River Sakamoto
1987 The Australian Ballet Company Sonata for Seven Prokoviev
The Australian Ballet School Jarabina Mann

It was a great pleasure for me to meet Tim Gordon while working in the Australian Ballet in the late 80's, and to form a friendship that still thrives some 20 yrs later is testament to the respect that I have for Tim.
To work with a choreographer who understands how to get the most out of a dancer's natural abilities, both technically and narratively, is very exhilarating, rewarding, and of course wonderfully challenging.

I had an inspiring time being created on by Tim for the works Sonata for 7 (first trio) and the character of Steve Hart in My Name is Edward Kelly.

Performing Sonata for 7 at London’s Covent Garden is a definite highlight of my career, and working with Tim on the characterisation and virtuosity of Steve Hart was both humorous and creatively stimulating.

I really do have Tim to thank for artistically guiding me to finally work in a choreographer's company – Graeme Murphy’s Sydney Dance Company - where I have been a member for the last 17 years and currently hold the position of Rehearsal Director, and, during 2003, was Acting Artistic Director during Graeme Murphy and Janet Vernon’s sabbatical.

During my time at Sydney Dance Company I was invited and had the pleasure of performing in Sonata for 7 once again for Company Z in New Zealand.

Any Performer that gets the opportunity to work with Tim will be delighted with the discoveries they will make as an artist and, above all, will have simply tremendous fun while enjoying the creative pleasures of their craft

Brett Morgan
Sydney Dance Company